August 31, 2006

Hey, You Kids - Get Outta My Yard!

It's pretty well established (if you've been reading here for any length of time) that kids' music has become much more parent-friendly in recent years. But as great as kids' music is these days, sometimes you still want to listen to your own music, and you want to share that music with your kids, too. You also want to experience music the way you used to - by going out to hear great local bands. This is why Rock n Romp was created.

Rock n Romps are informal, daytime concerts where local bands and musicians perform for parents and children in the most family-friendly setting of all - the host's backyard. Rock n Romp originated in the D.C. area five years ago, when Debbie Lee realized (after arriving at a Dan Zanes concert to find it was sold out) that there were plenty of other parents looking for good live music to enjoy with their children. With a big backyard and plenty of musician friends, she decided to create her own concert series.

The idea caught on, and now Rock n Romps are happening in Austin, Baltimore, and Memphis. And it's not hard to start one where you live, according to RnR's founder.

"I'm full of advice and suggestions on starting up Romps," said Debbie. "We also have a basic agreement that they need to sign off on stating that in using the name 'Rock-n-Romp' they agree to hold shows in the same spirit and general manner that we do in D.C."

If you're not in a major city, the RnR model could be adapted. Debbie explains: "Even if it were a one-off event, or only a couple of times a year, it would be an awesome way to bring music-loving parents and their kids together. I think there tend to be lots of local musicians in any given location, they just might not be playing out a lot because there aren't opportunities where they live. Give them a place to play, like RnR, and they will come."

If you're not yet convinced that this is a fabulous idea for music-loving parents everywhere, check out this recap of the first Memphis Rock n Romp, held earlier this year:


It was 75 degrees outside and sunny. A keg of Sierra Nevada was surrounded by ice. Sixty parents mingled, danced, and spread blankets on the grass. Sixty or more kids in face paint and multiple tattoos ran through the yard with various musical instruments. They rocked. They romped. There wasn't a cooler place to be on April 1st.

Ready to start your own Rock n Romp? Get in touch with Debbie at debbie@rocknromp.com.

August 29, 2006

Five Years Later

With the fifth anniversary of September 11 approaching, CNN has begun promoting a real-time re-broadcast of their coverage of September 11, 2001 on CNN Pipeline, the network's online video stream. From 8:30 am until midnight this September 11, viewers can watch free online (Pipeline is normally requires a subscription) the "uncut, unedited" re-airing of what happened five years ago.

I didn't see a lot of the coverage on September 11, 2001. I stayed at work after the news broke, and caught just bits and pieces of TV throughout the day. Some segments of the coverage have been re-aired ad nauseum, but there are certain parts that probably haven't been aired at all in the last five years. My memories of that day are perfectly clear, and at the same time surreal and distorted. The most vivid memory I have is sitting on the couch that evening, nursing Walter (who was a toddler at the time), watching the news, and thinking, "We never meant to bring you into a world like this. This is not how things were supposed to be."

This September, I want to watch the coverage of that day from the perspective of five years later - knowing that life would go on for me and my family, and knowing that my world (relative to many other people's experience) would not be drastically altered. Although not the result of September 11, there have been some major changes in my life since 2001. So I will watch the coverage of that day as a much different person than I was five years ago. I want to know what that day looks like and feels like to me now.

Surely, there are thousands of people who will watch this. So why do I feel like such a freak for saying I will probably be one of them? Do any of you plan to watch the CNN re-broadcast?

The Man Who Walked Between the Towers

Depending on the ages of your children, they may or may not be aware of what happened to the World Trade Center on September 11. But regardless of what they do or do not know about that date, there is a beautiful story about the twin towers that captures a happy and positive memory of this landmark. "The Man Who Walked Between the Towers" by Mordicai Gerstein (winner of the 2004 Caldecott medal) tells the true story of Philippe Petit, who dared to walk a high wire between the not-quite-completed towers in 1974.

The story refers to the towers in the past tense, which gives parents an opening to explain why that is. But it does not give any suggestion of the violence that took place in 2001. There is a very simple line near the end: "Now the towers are gone." No explanation given, unless you choose to give one. The story stays focused on "the joyful morning of August 7, 1974, when Philippe Petit walked between them in the air."

Scholastic is releasing "The Man Who Walked Between the Towers" on DVD this week, as one of their book-to-video adaptations. Narrated by Jake Gyllenhaal, the story is beautifully animated and tastefully done (and I'll admit to be slightly skeptical before viewing it). The DVD includes "more inspiring tales" narrated by other great voices, including Sean Astin and Claire Danes. "Snowflake Bentley," the true story of world famous snowflake authority Willie Bently, was one of our favorites. Scholastic recommends the DVD for ages 5 to 10.

Because Walter is now 6 years old and in first grade, we anticipated that this might be the year that we explained to him what happened on September 11, 2001. This story and DVD gave us inspiration and the framework in which to attempt this.

August 28, 2006

Definitely Not Cool

Cool: The new line of "Rock Star" clothes from the Gap for babies and kids. (Have you noticed the "rock star" kids' stuff is everywhere this fall? It seems the designers are trying a little too hard to cater to the hipster parent market segment.)

Not Cool: Dressing your sons - who are five years apart - in COMPLEMENTARY "Rock Star" shirts and dragging them out to the park for a photo shoot. Yes, five years apart.

My justification: At least they're not in MATCHING shirts (um, that would have been their pictures with the Easter Bunny or last year's Christmas card photo, when they wore matching sweaters).

My husband's outrage: You're going to do WHAT????

Look at that....Ralph is in a cream-colored "R is for Rock" ringer-T, while Walter is in a brown "Future Rock-n-Roll Star" t-shirt with blue stitching. What adorable hams good sports they are....so handsome.

For some reason, the matching and complementary outfits are my weakness. And photographing these fashion-coordinated moments is my guilty pleasure.

Now that any credibility I may have had with you (as a "cool" mom or a "hipster" parent) is completely out the window, I ask, do you have a weakness when it comes to dressing your children?

August 26, 2006

Grab Your Coat and Get Your Hat...

My favorite John Lithgow roles:

- Roberta Muldoon in The World According to Garp

- Reverend Shaw Moore in Footloose

- Dr. Dick Solomon on 3rd Rock from the Sun

- Children's author and entertainer

Yes, that's right. This prolific actor of stage and screen also has a career as the author of numerous children's books and as a recording artist. His latest album for children, The Sunny Side of the Street, is being released on Tuesday, and it is as fun and entertaining as you would expect.

The songs are mainly covers of pop standards (what are now referred to as songs from The Great American Songbook), and while you might not be familiar with all of them, your child's grandparents will be thrilled beyond belief when they hear your four-year-old singing a few bars of "Inka Dinka Doo" (the old Jimmy Durante song) or "Getting to Know You" (from The King and I). I was amazed at how my six-year-old son - the one who is currently a fan of KidzBop 10 - took to this album.

There's something about Lithgow's voice and delivery that makes him naturally appealing to children, but he has gone even further to sell these songs to the kiddies. Several tracks include a children's chorus (he brought in children from the United Nations International School Choir and Broadoaks Children's School Choir), which encourages participation and singing along. In addition, most of the songs are highly energetic and upbeat (a far cry from Rod Stewart's ho-hum, super-mellow interpretations of The Great American Songbook). As on nearly all children's albums these days, the final track is a lullaby; but even that is quite animated.

Wayne Knight (Newman from Seinfeld) makes a guest appearance on "Inka Dinka Doo" and "Song of the Sewer", and three female vocalists - Madeleine Peyroux, Maude Maggart, and Sherie Rene Scott - join Lithgow on other tracks.

Click here to see a video of "Ya Gotta Have Pep", or click here to sample a few tracks and learn more. This is one that children, parents, and grandparents can all enjoy together.

August 24, 2006

I Pooted


Really.
Originally uploaded by Byrdnest.
If you live in any major metro area of the US, you've probably seen one of these billboards. Cartoon Network has been promoting Foster's Home for Imaginary Friends around the "I pooted" theme all summer long. In addition to billboards (check out this Flickr slideshow to see more), there are "I pooted" t-shirts in both kids' and adult sizes, and TV spots which can be viewed on Cartoon Network's site.

It turns out that "I pooted" is now a catch phrase for kids in the 5- to 8-year-old age range. Not surprising, I guess, given the exposure this has gotten.

But there are a few other Foster's catch phrases you might hear from your child....don't be alarmed. These are just a sign that your child is in on the joke. If you hear little Timmy saying, "I like cereal," do not assume that he wants more Frosted Flakes from the store. He's just talking the talk. And if you hear him repeating, "It's hot in Topeka. It's haaaahhhhht in Toe-peeeeee-ka. I'm a hot Toe-picker," don't think that he witnessed Al Roker having heat stroke on the air. He's just letting everyone know that he knows the language.

If you or your child is a serious Foster's fan, be sure to visit Blogregard Q. Kazoo, where the show's creators post sketches and updates.

August 23, 2006

TV Land

In case you missed it yesterday, Justin Roberts was on the Today show. And even better, the fabulous Liz (from Mom-101 and Cool Mom Picks) was there, and she gives a hilarious report of it here. With pictures. Also, the video of Justin Roberts performing "Meltdown" on Today can be seen here. If you like what you see, head on over to Justin's swell new website to see some of his videos that are now airing on NOGGIN.

Children's artists are showing up all over TV these days. Stefan at Zooglobble and Bill at Spare the Rock have both posted details on what's in the works for Milkshake and Rebecca Frezza & Big Truck, with new music videos on the new PBS Kids "multi-platform pre-school destination." Also, Milkshake has created 4 new music videos for the show ToddWorld, on TLC and Discovery Kids. (And speaking of Milkshake, here's another one of my favorite bloggers posting about seeing them live over the weekend.)

Meanwhile, NOGGIN continues to air the same 13 (or so) episodes of Jack's Big Music Show that have been airing since last September. According to NOGGIN, the second season went into production in May, and it will feature artists including The Quiet Ones, Audra Rox, Music for Aardvarks, Dirty Sock Funtime Band, Nuttin' But Stringz, The Mighty Weaklings, and Laurie Berkner. But there is no official news yet on when Jack's second season will begin airing. This little puppet, who seems to have such great influence on the world of children's music, is silent.

So with all that has been happening lately with music videos and TV performances, I must again ask: How far off is a TV channel devoted entirely to children's music? I proposed this idea back in May, and I still think it's bound to happen. If there was a way to work past all the licensing red tape, just think of all the possibilities for videos that could air - in addition to videos by all the current artists who are making them (Dan Zanes, TMBG, all those mentioned above), you could include songs from Disney movies and other children's/family movies (think of oldies like Mary Poppins or The Muppet Movies), songs from Sesame Street and The Electric Company, clips from musical guests on The Muppet Show, Schoolhouse Rock videos, and so much more. There's no shortage of material.

And as I suggested before, I will gladly be your Martha Quinn.

August 22, 2006

Let's Just Call Him Steve

Rounder Records is excited about Steve Roslonek, the up-and-coming children's artist they signed earlier this year. Rounder calls him a "kid favorite dynamo" and "one of the hardest working artists we know." Marvelous Day, his fifth album, was released today under the Rounder Records label (it had been independently released earlier this year).

Like a number of children's artists, Steve Roslonek has a "stage name" - SteveSongs. I was recently questioning out loud why children's artists do this, when I was reminded that I, too, use a made-up variation of my name. As The Lovely Mrs. Davis, I guess I am in no position to criticize or question the name SteveSongs, or this practice of re-naming oneself.

It's just hard to write about artists with names like SteveSongs. So let's just call him Steve....

Does Steve live up to the Rounder hype? The short answer is yes.

The first thing that struck me about Marvelous Day was that Steve's vocals sound shockingly similar to James Taylor. This will make him immediately appealing to a huge segment of Moms out there. His soulful, soothing, youthful voice is perfect for the kid-focused songs he writes and performs. The songs on Marvelous Day are nurturing and educational, with lots of humor and goofiness thrown in. The humor is mostly the smart, non-condescending kind, but it's all for the kids.

Many of the songs (especially "Ducks Hatching" and "Hero") seem very appropriate for elementary-age children, and glancing at the liner notes I saw why. For three tracks, Roslonek shares writing credits with "Mrs. Young's 2nd Grade Class" or some such variation. Overall, the album is a great fit for children in the early elementary grades. Nearly all the tracks incorporated a children's chorus and/or children conversing with Steve. For me, this was a bit overdone, but kids listening to Marvelous Day might enjoy it more.

In addition to vocals and some acoustic guitar, Steve is credited in the liner notes with "Funny Voices." He works these in on several songs, but the wacky "Fast Monkey" is a showcase of his amazing repertoire of funny voices. What's most impressive, though, is that Steve can go, quite seamlessly, from the insane silliness of "Fast Monkey" to the soulful and heartfelt "If You Want to Fly" and to the warmth and sincerity of "Jack's Lullaby." You can hear a few samples here.

Marvelous Day is heavily produced, but Steve's vocal and songwriting talents are not buried in synthesizers. The songs have been beautifully arranged with acoustic and electric guitar, bass, keyboards, drums, and touches of brass and woodwind. It's definitely not a stripped-down indie sound, but it's not Toto, either. It's a happy medium, and it makes me wonder if this is the sound some other children's artists might aim for if they had access to a full band, a studio that was not in their friend's basement, and a sharp, hands-on producer.

Unlike some artists, who are working as hard to entertain parents as they are to entertain kids, Steve Roslonek's music is clearly kid-centered. It's definitely enjoyable for adults, but it speaks primarily to children, and it stands out in that regard.

August 21, 2006

Here, There, and Everywhere, Part 2

You can see an essay of mine called "Set List" in the new issue of The Whole Mom. If you've been reading here for a while, you might recognize it as a slightly re-worked version of something I wrote back in February. But if you're new-ish (and most of you probably are, because in February I believe there were a total of three people reading my blog) it will be oh, sweet goodness! Enjoy. And check out some of the other fine writing over there.

August 20, 2006

Kidz These Days and Their Crazy Music

You can play Miles Davis for your unborn child, with headphones on your belly. I did.

You can play the Beach Boys' Pet Sounds for your newborn. Over and over again. I did.

You can play the Beastie Boys, the Ramones, the Police, more Brian Wilson, and They Might Be Giants for your child. We did.

You can introduce your child to other great children's artists like Justin Roberts and Dan Zanes. We did.

You can go to great lengths to develop sophisticated musical taste in your child and to impart your great musical wisdom.

And then one day he will discover KidzBop. And you will ask yourself why you ever bothered.

I've discussed my ambivalence about KidzBop before. I think the people who developed KidzBop are brilliant, but I don't really care for the sound.

Well, it turns out my child doesn't care what I think. All the other KidzBop-crazed kids out there don't care what I think. They all love it.

We listened to KidzBop 10 recently. When my six-year-old spotted it in my pile of CD's to review, he insisted that we play it. Just for the record: My son has heard KidzBop before, when we downloaded 10 or 12 of their songs from eMusic last year (in the name of research), so he remembered liking it. But I thought he had forgotten about it.

As we listened to KidzBop 10, I asked my son to explain why he liked it.

"It's made by kids, for kids. It's kid-friendly!" he said. Evidently, he's seen a commercial or two.

I asked him to explain what that means.

"It has kids' voices," he replied. "Sometimes an adult sings, and then kids sing, and sometimes they all sing together. Get it?"

"And you like that?" I asked, in my trying-really-hard-not-to-sound-judgmental voice.

"Yes!"

I asked him if he recognized any of the songs from anywhere else (trying to figure out if he was familiar with the "regular" versions of them, since we don't expose him to much, if any, Top 40 music). He said he recognized "Bad Day" - I'm guessing from American Idol. But the others were not familiar to him. He just liked them.

He doesn't have the critical language to explain much further than that why he likes KidzBop. He just does.

So I set aside my rockist aesthetic, turned up the volume, and let my son enjoy the music. It was fun. As we continued to listen to this CD throughout the weekend, and my head continued to not explode, I realized that I kind of liked it.

If you're able to let go of some of your own limitations, you might enjoy it, too. At least on an ironic level. (I realize that for some of you, my suggestion here is the equivalent of inviting Ted Nugent to attend a PETA rally.)

You might even find, as I did, that some of the KidzBop covers are better than the originals. I had the most fun listening to the songs that were familiar to me in their original forms - "Bad Day," "Confidence," "Unwritten." If you're not familiar with any Top 40 music, KidzBop might be extra-difficult appreciate (kind of how the Daily Show isn't funny to people who aren't up to speed on current events).

It's worth noting here that KidzBop 10 entered the Billboard Top 200 Album chart in the #3 position earlier this month. That's not the children's chart - that's the "everybody" chart. And this week it's at #7 on the Top 200 - ahead of Gnarls Barkley, DMX, and Nickelback. It's at #1 on Billboard's Top Kid Audio chart for the second straight week. So while KidzBop may not be my cup of tea, musically or artistically speaking, these people (creators Cliff Chenfeld and Craig Balsam) know how to sell records. And there's something to be said for that.

You can hear samples of "Bad Day," "Unwritten," and other tracks here. Try them. I dare you.

August 18, 2006

It's the End of Civilization

Okay, it's not really the end of civilization. But that's what Ann Curry and Hoda Kotb wanted me to think was I watched the Today show this morning. No, they weren't talking about terrorism. Or crime. Or hurricanes (which are so last year). Or even Snakes on a Plane.

They were talking about the fact that a lot of little kids can recognize logos for fast food, soda, and candy. Hoda Kotb held up giant flashcards with logos like KFC, Burger King, McDonald's, M&M's, Starbuck's, Pepsi, and Pizza Hut on them - first with a group of five-year-olds, then four-year-olds, then three-year-olds, and finally two-year-olds. And surprise - the kids recognized most of them.

Judging from Curry's and Kotb's response to how many of these logos the children knew, you would have thought the children were correctly identifying the Seven Dirty Words, or maybe ingredients for methamphetamine. Is the fact that three-year-olds yell "Chicken!" when they see a Colonel Sanders KFC logo, or that they scream "Coffee!" when they see a Starbuck's logo really such a cause for concern? You can see video of the story here, and tell me what you think.

The story didn't have much of a point - they tried to say that marketing fast food to kids is one of the major causes of childhood obesity (but they kind of beat around that bush), and they said there is a "battle between corporate responsibility and parental responsibility" (but they didn't really go very far with that). The Today show story was actually just a teaser for a longer, more in-depth story on Dateline tonight. I'll be watching.

So what does it mean if your pre-schooler can recognize a good number of corporate logos?

Does it mean your child watches too much TV? Not necessarily, because many of these logos can be learned through real life experience. Besides, I don't think I've ever seen a Starbuck's commercial on TV.

Does it mean your child is destined to become obese? I don't buy it. There are a lot of other things that would have to happen in between your child recognizing the McDonald's logo at age three and becoming obese at age five (or age 10 or 15 or 20).

Does it mean that advertisers are manipulative and strategic and targeting our children? Possibly. But it might also mean that advertisers are doing their jobs really, really well.

Here's what I think it means. Children today are paying attention to the world around them. (That's great!) They can recognize logos and pictures before they can read words. (No surprise, is it?) They pay attention to where and what we - the parents - eat and drink, where we shop (my son knew the Target logo when he was two), and what we buy. (So watch yourselves!) Is all of that so terrible? Is it worthy of the jaw-dropping and hand-wringing I saw on the Today show this morning? Not at all.

Advertising is a part of life. It's part of a free market. It's also (and you saw this coming, didn't you?) part of our popular culture. You can run from it, but you can't hide. You can avoid TV, radio, print media, and the web - but what kind of life would you have? You can't very well avoid billboards and other signs, logos on bags and boxes, or logos on other people's t-shirts and hats. And you can't completely shield your children from these things either.

But you can teach your children to think critically, and to intelligently process what they see and hear in advertising. When your two-year-old sees the golden arches and yells, "McDonalds!" or "French fries!" you can ask him how he knew what that symbol meant or why it makes him think of fries. As he gets older, you can ask him why he thinks Shrek is on a box of frozen waffles, or why he thinks the waffles with Shrek on the box are better than the other waffles. You can have intelligent discussions. You can involve him in making decisions about what to eat, where to shop, what to buy.

So I'll be watching Dateline tonight to see where they go with this story. It's quite possible, I suppose, that Stone Phillips will reach the same conclusion I did. But that's not nearly as exciting as a headline like "Our Children Are All Going to Weigh 300 Pounds If We Don't Stop Showing Them Fast Food Logos." And that's what responsible journalism is all about, isn't it? Grabbing your readers with sensational headlines.

August 17, 2006

Great Adventures in Music

It's a rare treat this week - reviews of two amazing kids' albums, both reminiscent of music from the 60's and 70's, both incredibly creative, but two distinctly different pieces of work. After reviewing The Quiet Ones' Make Some Noise on Tuesday, I'm excited to bring you, tonight, a review of The Great Adventures of Mr. David, the second album from David Alexandrou (a.k.a. Mr. David), released in July. Fourteen of the fifteen tracks are David's originals, ranging from short instrumentals like the 47-second "The Flight" to long and rambling ballads like "In the Storm, Fighting for the Octopus."

The overarching feel of the album is very grown-up, and I was surprised (but pleased) that my children responded to it so well. Both the music and lyrics are sophisticated and, at times, even trippy. David lists among his influences The Beatles, The Rolling Stones, and Bob Dylan, and various songs clearly nod to these artists. His sound on "Backyard" and "In the Storm" is very reminiscent of one of the most outstanding Beatles-influenced artists of today, Rufus Wainwright. These, and several other tracks, have faint background vocals that sound completely random and improvised, yet musically fitting and perfectly mixed.

"Sea Song" and "Dinosaurs" are stunningly Dylan-like - especially because David's grasp of Dylan is incredibly solid and mature for someone who is closer to the Dylan McKay generation than the Bob Dylan generation.

David is at his best on "Pearl," a beautifully moving song, where he seems less concerned with paying homage to the great artists of the 1960's and more content with his own voice, his own sound, his own musical style. The chorus - Dancin' above the ground / Jumpin' on the bed / Dogs are barking in the back / Everything is good - makes this the kind of song that inspires you to pour a glass of wine, dig out your old photo albums, and remember special days from your childhood when you felt that everything really was good.

Great Adventures is a stunning and artistic album. You can hear one full track - "I'm a Fish" - here, or sample other tracks and order your own copy here.

August 16, 2006

Easy Listening

Don't worry - it's not soft rock hits of the 80's and 90's. It's "easy listening" because it's easy for you to listen. Below are a couple of mp3's from my Spare the Rock playlist - "Singin' in the Kitchen" and "The Happy Whistler." Old and obscure, but a few of you who read regularly are as familiar with these as I am, and I know you'll enjoy them. And the rest of you just might get a kick out of these, if you didn't already hear them on Spare the Rock. So here they are.

Bobby Bare: Singin' in the Kitchen
Don Robertson: The Happy Whistler ("Dr. Max & Mombo" Theme Song)

August 15, 2006

British Invasion

With a post-punk sound, stacked harmonies, and offbeat and imaginative lyrics, The Quiet Ones bring a truly unique approach to kids' music on their 2005 release Make Some Noise. The Quiet Ones are two-thirds of the band Muckafurgason - Christopher Anderson and Andrew Ure. Although primarily for grown-ups, Muckafurgason wrote and performed Nickelodeon promos, and their song "Dictionary" was included in Songs from Inside the Radio: Greasy Kid Stuff, volume 2.

Musically, The Quiet Ones can best be described as British post-punk, but they go in a variety of directions from that starting point. The tracks on Make Some Noise range from lyrical ballads like "Park by Myself" and "I Remember Purple" with its beautiful cello counterpoint, to the hard-rocking childhood anthem "How Fast Can You Run?" Anderson and Ure are an interesting vocal combination, passing the lead back and forth throughout the album. In the back and forth, listeners may notice the distinction between Anderson (very American) and Ure (quite British); but the two voices and dialects blend beautifully.

Other musical highlights are the Doors-like organ on "You Can't Hide Your Bike", the bouncy keyboard on "My Keyboard," a Pete Buck-like guitar solo on "Constellations," and rich strings on "Park By Myself." Notable for its hilarious lyrics is "Invisible Trousers" - fun for kids because it's all about imagination, and fun for adults because it's about a guy walking around with no pants. (Big revelation: Mrs. Davis has a very base sense of humor and has been known to laugh to the point of incontinence at sped-up portions of Monty Python and Benny Hill.)

The Quiet Ones are part of the music video line-up for the new season of Jack's Big Music Show on NOGGIN. Sadly, NOGGIN chose "Polar Bear," the most musically bland song from Make Some Noise to shoot for Jack. Maybe it was chosen for its witty lyrics. Or maybe it was chosen because the folks at NOGGIN don't want to blow the minds of unsuspecting parents and children with some of the amazing sounds found elsewhere on this album. After all, not everyone has the sophisticated musical tastes of you, me, and our brilliant children.

You can hear "Polar Bear" and other tracks here.

Make Some Noise is definitely in the top tier of current kid-friendly music. But it's hard to go wrong when you've had the experience of working with John Flansburgh of They Might Be Giants (as if the impressive musical backgrounds of Anderson and Ure aren't enough to guarantee success), who produced the last Muckafurgason album. Although I found the TMBG influence fairly subtle overall on Make Some Noise, it was quite clear on the last two tracks, "My Keyboard" and "Fizzy Milk."

Updated to add: If you didn't catch it when it aired, here is a link to Andy Ure's guest DJ set on Spare the Rock.

Back to Business

After much e-mailing and linking and reminiscing about childhood television and books, it's time for me to get back to the business of reviewing some music this week. I will continue to update the Sesame Street post, so feel free to send me a link if you want to jump in. It keeps growing and growing and growing - keep coming back to read all those fabulous posts.

Coming up....reviews of The Quiet Ones (the've just shot a video for the new season of Jack's Big Music Show) and The Adventures of Mr. David (very cool stuff, indeed).

August 14, 2006

The Great Link Anthology

Today marked the start of the 37th season of Sesame Street. For several weeks, I've been looking forward to what the new season had in store, not only for my children, but also for me, a parent who grew up with this show. With an impressive celebrity line-up (including Amy Sedaris, Jamie Foxx, and Matt Lauer), some spot-on pop culture parodies, and the introduction of the first new female muppet in 13 years, the 37th season has a lot to offer.

For the last several years, Sesame Street has subtly acknowledged that its earliest viewers (those of us born in the mid to late 1960's) are now the parents of pre-schoolers, and the show's creators have made us feel like an important part of the audience. I think this first started when REM performed "Furry Happy Monsters" back in 1998 - possibly even earlier. The new season seems to go even further, by clearly drawing in parents with parodies like “Law & Order: Special Letters Unit;” “Scramalot;” “The Breakfast Club;” “Survivor: Musical Chairs,” complete with a Jeff Probst look-alike Muppet (Guy Smiley for a new generation); and “Outrageous Makeover: Home Edition,” with Grover as a furry blue Ty Pennington.

Sesame Street is also reaching out to Gen X parents (I say reaching out; a more cynical person might say target marketing) with a Sesame Street Nostalgia box set, due out in October. Schoolhouse Rock, The Electric Company, After School Specials, numerous Sid and Marty Krofft shows, and now Sesame Street - it seems that the industry has caught on to the fact that Gen X-er's enjoy having their childhood TV memories re-packaged neatly into DVD's and box sets. But aside from being a true example of marketing genius, the Sesame Street Nostalgia box set is really a historical marker (perhaps a few years overdue), signaling that our generation is now officially grown up. The fact that the release date for the Sesame Street Nostalgia box set happens to be the week of my 38th birthday makes it just a little bit more, well, nostalgic for me.

And did you see the first episode of Season 37 today? I loved, loved, loved "Law & Order," especially the Richard Belzer Muppet - genius, I say! Also, there was Kristin Chenoweth as Mr. Noodle's sister (Ms. Noodle), and John Legend doing a number with Hoots the owl. Great stuff.

But I asked you - all you moms and dads with your blogs - to weigh in. I posed a more general question: What television, music, movie or book from your childhood are you excited about sharing with your own children?

The responses have been incredible. You've given me, and each other, so much to think about. Several of you discussed Sesame Street. And some of you mentioned other television shows.

A surprising number of you (surprising to me, anyway) talked about books. (By the way, there's a thesis or a dissertation here for someone interested in further exploring The Impact of Young Female Characters in 1960's and 1970's Children's Literature on Mothers of Daughters in the Early 21st Century. Kind of writes itself, huh?)

Not as many of you mentioned music or movies, perhaps because the offerings from our childhood in these areas seem weak in comparison to current options - like They Might Be Giants or all the fabulous Pixar movies. Can The Computer Wore Tennis Shoes really stand the test of time? Evidently not.

And some of you brought perspectives on this from outside the U.S. That was especially interesting.

If you're wondering about my response to the question - look here or here. My short answer - Christmas specials like The Year Without a Santa Claus and Rudolph have been wonderful to share. Also, we've enjoyed introducing our sons to Dr. Seuss books, Curious George books, all of the Muppet movies, and, of course, Sesame Street.

And now, on to the Big Extravaganza of Links! All of your responses are listed below, in kind-of-reverse-order-received, as Title of Post (Name of Blog). Now that we're past 40, I've stopped counting. And just so you know, that's how I plan to deal with my age, too. Here you go - the newest ones received are at the top:

La Spades (Roola Lenska)
Showing My Age: Kid Lit Pics from the Johnson Era (The Silent "I")
Follow the Leader (Issa's World)
Joy For All (Cheese Party)
Block Party! (I Love This Boy)
80's Flashbacks! (A Mommy Story)
If You Are a Dreamer, Come In (Mayberry Mom)
Sesame Street and Other Fond Childhood Memories (Life as I Know It)
As We Relive Our Lives in What We Tell You (The Onymous)
Conjunction Junction, What's Your Function (Sarah and the Goon Squad)
From My Childhood (Keep Up With Me)
A Sentimental Journey (Mom 101)
Brought to You by the Letter W... (Half of the Sky)
Near and Dear (Crabby Chic)
When the Grandparents Are Away... (Making Things Up)
TV Dad (Within the Woods)
Sesame Street - The Next Generation (Compost Happens)
Passing it On: My Favorite Books from Childhood (Three Kid Circus)
Most Sensational, Inspirational, Celebrational... (Her Bad Mother)
Quality Music, TV Shows, Books, and Movies (Feminist Moms)
37 Years (Jane M. Says)
Passing the Torch - The One Powered by The Electric Company (MotherGooseMouse)
Left on Sesame Street, Right Down Memory Lane (No Limits Ladies)
People, Let Me Tell You 'Bout My Best Friend (Siftin')
Chitty Chitty Bang Bang (Out With the Kids)
The Hobbit Habit (Lady M)
The Otter at the End (Spotted Dog Turn)
This Post Brought to You by the Letter O (Mom Writes)
Sharing a Piece of My Childhood (It's My Life)
This Post is Brought to You by the Letter A (Mom, Ma'am, Me)
Sesame Street Live Comes to Costa Rica (¡Masala Fabi, Pura Vida!)
Street Smarts (Ralph's World)
The One With All the Books (Table for Five)
From the Mixed-Up Files of Mr. Basil E. Frankweiler (A Readable Feast)
What From Your Childhood.... (Mistress of Dorkness)
And the Letter of the Day Is... (Silicon Valley Moms Blog)
Everybody Say "Hi" to the New Kid (Head, Shoulders, Knees and All That)
Me 'n Harriet (Under the Mad Hat)
Sharing My Childhood in a New Meme (Purple Moon Garden)
Sesame Street is Turning 37! (For Rattle)
What am I excited about sharing with Arun? (Rancid Raves)
It's a Magic Carpet Ride (The Mouse's Nest)
Memory Lane (Poot and Cubby)
Childhood Redux (A Mom, A Blog, and the Life in Between)
Ramona Quimby, Age Timeless (A Question of Degree)
Sesame Street (Cool Tunes for Kids)
For Mrs. Davis (CRUMLEYdotORG)
Sunny Day, Chasing the Clouds Away (The Diary of Mrs. X)
Anastasia (Radioactive Girl)
Things I Can't Wait to Share with Isadora (Where the Moss Grows)
Happy Birthday Sesame Street! (Confessions of a Drama King)

Also, a few bloggers helped to spread the word and got some fun comments on the question. You might want to take a look:
Can You Tell Me How to Get....How to Get to Sesame Street? (BlogHer)
It's Elmo's World, We Just Live In It (Mom's Daily Dose)

Nice work, people! We have put together our very own compendium of nostalgic children's media. What a way to mark this occasion - the start of Sesame Street's 37th season.

August 12, 2006

That Was Fun!

My guest DJ spot on "Spare the Rock, Spoil the Child" was this morning. You can see my play list and hear the podcast over at the Spare the Rock website. To listen, just click at the top of the post, where it says "archive is here" and wait for the show to start. Or see the instructions on Bill's site for downloading the show.

The playlist is just a sampling of the music my family and I like - there was no way on earth to showcase all of the great kids' and family artists that are out there right now in such a short amount of time. To hear more of the amazing artists making kids' and family music, keep listening to Spare the Rock.

August 11, 2006

We Took Our Kids to a Rock Concert Last Night

Last night we saw Ralph's World play an outdoor show at a park in Monroe, Michigan. Although my husband and I have been long-time fans of Ralph Covert from his grown-up band the Bad Examples, I had avoided Ralph's World until very recently. But after listening to their most recent album, Green Gorilla, Monster and Me, I jumped at this chance to see them live.

Because there are many of you who have never taken your children to a concert like this, I'm including lots of pictures to you can fully appreciate the experience. Look! People having fun! With their kids!!

The show was very much a rock concert atmosphere, but cleaner and more polite. The band opened with "Four Little Duckies" which got the audience involved right away. Shortly after that came "Things That I Like", for which Ralph asked the crowd to throw their arms in the air when he named that they like. When the initial response to this was somewhat tame, he reminded parents that it hadn't been THAT long since they had been to a rock concert, and to show our kids that we still know how to do this. That moment captured, for me, exactly why this kind of live music is so fun for families.

Throughout the show, there was a great deal of audience involvement - and more than just singing along. The area directly in front of the stage became a mosh pit for the four- to eight-year-olds, and some even crawled up onto the stage. Several numbers were about dancing, and invited the audience to "stomp your feet" or "dance around". This was one of my other favorite moments of the show - seeing a family near us holding hands and dancing in a circle. From the looks on the parents' faces, it may have been the most fun these people had ever had with their children. Ever. Go to more concerts, people. Listen to more music.

I've been impressed at how Ralph's writing has transitioned from the Bad Examples to Ralph's World. Musically, the transition is seamless. But lyrically, he has moved quite far from the raw, honest (and often dark and not child-friendly) poetry of the Bad Examples into very silly and light lyrics, with lots of references to animals, toys, and food. There are a few songs - like "The Coffee Song" - that have a lot of honesty and truth, but they are the exception. Because the music is so amazing, I didn't find myself getting hung up on silly lyrics like this:

We are ants, ants in your pants / Ants in the kitchen, ants in your pants / Ants who sing and go to the moon / Why are we marching? We are ants!

About halfway through the show, it struck me that I should write down a few notes, including which songs they were playing. Some parents nearby gave me a confused look, as if to say "How could she work on her grocery list at a time like this?"

So for all you Ralph-Heads (is that what you call yourselves? and please notice how I say that as if I am so far above screaming like a 16-year-old girl when he was on stage, or taking pictures of him with my son after the show), here is the rest of what I remember of the set list, in no particular order: River Flow, All I Wanna Do Is Play, We Are Ants, Red Banana, Freddy Bear the Teddy Bear, Dance Around, Barnyard Blues, At the Bottom of the Sea, Malcolm McGillikitty, Belly Button, Dumptruck. He did one Bad Examples song - Angel Wings and Lemon Blossoms.

The band was incredibly tight. Like the old Chicago Bulls, everyone always knew exactly where everyone else was. They were spontaneous and wacky, and made the music seem effortless.

Just before the final number, Ralph asked the crowd, "Who wants to be a rock star when they grow up?" Kids and parents alike waved their arms in the air and shouted "YEAH!" So he invited all wanna-be rock stars up on stage to join the band. Moms, who seemed more excited than the kids, dragged and prodded their children up to the stage, while a few very excited kids ran up on their own. Yes, I was up there with Walter, singing and dancing along to "Treehouse Orchestra." It looked something like this:



After the show we met Ralph and had him sign a t-shirt for Walter, which he ended up sleeping in last night.

Ralph and his guitar player also signed my husband's Bad Examples cassette from 1987, and the look on Ralph's face when he saw this nearly-20-year-old piece of history was priceless.

We left with a copy of Good Examples of Bad Examples, a collection of Bad Examples songs that have been re-worked to be kid-friendly, so parents don't have to explain "that song about a mariner's inebriation at a brothel, why the singer would rather drink an intoxicating beverage than wholesome milk in Heaven, or just what the fictional Adam McCarthy was dying from." The changes are very subtle, and I'm excited about playing some of our old Bad Examples favorites with and for our own kids.

So go find some live music for you and your family. I promise, when you take your kids to a show, there's a 99.9 percent chance that you won't have to worry about Patti Smith doing this.

August 10, 2006

Pirates of Ohio

I'm pleased to share a guest post today from Tom Jackson of Wilson Lake and the Rock Bass. My family and I saw a Wilson Lake show earlier this summer, and we've been enjoying their self-titled CD.


Disney and I get along great, as long as I don’t think about their marketing plans too deeply. It’s a “love/strongly dislike” relationship where one has to “love” and “strongly dislike” them for things they’ve done. My latest complaint, by thunder, with Walt’s estate (and to be fair, there haven’t been very many) is its aggressive promotion of this summer's Pirates of the Carribean: Dead Man’s Chest, which has sent my children (ages 5 and 6) into a deep “I love pirates, but can’t see the latest Pirates of the Caribbean movie because it’s rated PG-13 and it’s too scary” blues.

OK, I’m guessing the marketing strategy is to make the movie PG-13 to appeal to older kids and adults, then flood the adolescent community with toys, games, action figures, coloring books, and a contract with McDonald’s which placed Pirates of the Caribbean toys in Happy Meal boxes. Brilliant! Right?

My family has had an obsession (of the healthy sort, I assure you) with pirates even before Pirates of the Caribbean: Curse of the Black Pearl (2003), and it was extremely difficult to go see Dead Man’s Chest without our kids (cough, cough). OK, perhaps that part wasn’t so difficult. The hard part was going home and telling them that there was no way that they were ready for this movie.

If this sounds familiar to you and your family, says you…fear not, for there be other nautical adventures that await your younkers, says I. As I stated before, we were obsessed with the pirate culture before Black Pearl. There are several other avenues, or channels, to help fill your family’s need for mayhem and mischief upon the high seas.

First, the band that began our piratical obsession, and one of my main creative influences, Captain Bogg and Salty, has been plunderin’ the pacific northwest for several years now. Their CD’s for young dock wallupers and their parents, Bedtime Stories for Pirates (1999) and Pegleg Tengo (2004), have made our suburban-rural Ohio pirate excursions musical, fun, and harmless. The CD’s contain a mix of traditional sea songs (“Deedle Dee Toe,” “Weigh Anchor,” “Pull Away Home”), modern flavored pirate rock (“Scurvy,” “Pieces of Eight,” “Nellie the Elephant,”), and short comedy sketches or stories (“Billy Bones,” “Age of Bucaneers,” “The Tortuga Caper”). A visit to their website, www.boggandsalty.com or my favorite way of getting there, www.eatalime.com, exposes guests to the usual tour schedules and biographies, but also tour diaries and lessons in “pirate parlance” (how to speak pirate). My brother-in-law, whom resides in Portland with his lovely wife and two daughters, attends Captain Bogg and Salty shows regularly at packed libraries and festivals. I’m thinking it’s not long before they become more of a national group of knee-slappin’ scallywags.

The other savior of our piratical needs is the 1963 theatrical release, The Crimson Pirate, starring Burt Lancaster. The movie mixes action and comedy to deliver piratical enjoyment for buccaneers of all ages. Lancaster, who was a trapeze artist prior to his Hollywood career, performs his own impressive stunts. The movie, although not well known, is available at Amazon. Ye may notice some obvious inspirations for the Disney creators of Pirates of the Caribbean. We also own Disney’s Treasure Island, however, it suffers dreadfully by comparison to The Crimson Pirate and rarely gets the pick for family film nights, says I.

There are several children’s books which fills our sails with wind: How I Became a Pirate by Melinda Long and David Shannon, and Captain Flinn and The Pirate Dinosaurs (our favorite) by Giles Andrede and Russell Ayto, are two that we regularly enjoy.

While Disney continues to tantalize my kids with Captain Jack Sparrow, it’s Captain Angus Bogg and the crew of the Pollywogg, and Burt Lancaster as Captain Vallo – or as he is more infamously known, The Crimson Pirate – who truly deliver the swashbuckling adventures in our home.

Fair Winds to Ye!

Post-It

Two messages for readers to scribble on Post-It notes and stick to your monitor, fridge, or forehead:

1. Listen to Mrs. Davis on Spare the Rock Saturday morning.

You can listen live (go here) or later (go here) - the show airs from 8 to 10 am Eastern time, and my segment starts around 9. I have a fun play list, and I promise that Jefferson Starship/Airplane does not make an appearance. I'll post more about the play list next week.

2. Don't forget your post for the Sesame Street Season Premiere Linky Extravaganza.

I've heard from lots and lots of you on this - especially thanks to Asha at Parent Hacks and Amy at Mom's Daily Dose for giving this a big shout-out - and I'm excited about pulling it all together for next Monday. Don't forget to email me your links! I love to see parents thinking critically about kids' media, and I love the nostalgia that parents of our generation have for some of our childhood faves, so these posts are way too much fun for me. I think you'll like them too.

August 09, 2006

We Built This City on Rock and Roll

Taste is subjective. Whether you're talking about music, art, fashion, food....it doesn't matter. Taste is subjective. Sure, there are people - experts, critics, opinionated folks - who will try to make you believe that their taste is correct. That their taste is superior to yours. (Maybe sometimes I come across that way, but I try not to. Okay, sometimes I don't try quite so hard.)

And there are people who firmly believe these "experts" are right, and allow themselves to be led to the "right" music, the "best" art, the "correct" fashion; as well as others who will choose the opposite of "right" or "best" or "correct" just to make a statement. To buck the system, to stick it to the man, to subvert the dominant paradigm, to overthrow the establishment. But then overthrowing the establishment becomes "right" and "correct" and suddenly alternative music is in the top 40, and what then? But I digress....

There was a TV show last season that lasted for only a few episodes called Love Monkey. There was an amazing scene in it that embodies the Objective vs. Subjective Nature of Taste in Music. Here it is:

SHE: Who do you listen to? Top 5 songs, go.

HE: Go? You don't just go on a question like that. A question like that, it requires time, it requires thought, it requires very very very careful consideration.

SHE: Dylan -"Visions of Johanna." The Cure - "Just Like Heaven." Bill Evans - "Peace Piece."

HE: Or not. Those are great.

HIS VOICEOVER: She had me at Dylan. And not some overplayed Dylan, but "Visions of Johanna." Who is this woman?

SHE: And I'm not even done. The Clash - "London Calling." And I guess last would have to be... my favorite. Starship's "We Built This City."

HE: (straight face, then laughs) That's good. What is it really?

SHE: I'm serious. There's something about that song that just gets me.

HIS VOICEOVER: Maybe that it built this city on rock and roll?

HE: Yeah, that's what's great about music, isn't it? Taste is subjective.

SHE: You really believe that?

HIS VOICEOVER: NO!

HE: Yeah! Yeah, Starship rocks. Starship's great, those guys know how to handle a synthesizer.

I remembered this scene yesterday, as I was reading Cynical Dad's blog and his countdown of top 100 albums. Because they are his top 100, there is no right or wrong. Yet, I had to stop myself a couple of times from thinking, "No, that album should be much higher on the list" or "Wow, that album doesn't belong on any top 100." Remember, taste is subjective.

(I'll concede that execution is objective - for example, if a singer is off-key or a bass player is way behind the beat or someone is playing the wrong notes or chords, then yes, you could objectively say that what they did was "bad". Or if someone wrote an article that was full of inaccuracies, mis-spelled words, and grammatical errors, then yes, you could objectively say that it was "bad". Unless they meant for it to be that way, which is a whole other argument entirely.)

Anyway, this is a very long-winded way of asking, do you believe that taste is subjective? If you like something that I think is terrible, is one of us wrong?

August 08, 2006

Why, I Just Happen To Have Some More Music Right Over Here...

Cool Mom Picks

There is some amazing kids' music that might seem conspicuously absent around here (perhaps making me appear "behind the times" or just plain lax), so I wanted to be sure to mention a few albums that I covered recently over at Cool Mom Picks. Check out my reviews of Kids Rock for Peas by The Sippy Cups (psychedelic 70's covers for kids), Plays Well With Others by Uncle Rock (amazing kindie-rock), and Spin Your Web by Mary Kaye (fabulous female vocals). While you're there, check the Tunes Archive page for more music recommendations.

Also, if you missed Kidzapalooza last weekend, head on over to Zooglobble, where Stefan has posts from two artists who shared some "on-the-scene" reports - Scribble Jim from ScribbleMonster and Jackie Schimmel from Justin Roberts' band.

Thank you to those of you who have commented or e-mailed me about the great big Sesame Street extravaganza (see below). Keep your posts and links coming!!!

August 06, 2006

Come and Play, Everything's A-Okay.

Updated Monday Afternoon: The Great Link Anthology is up! Come see it here!

_________________________________________


The 37th season of Sesame Street kicks off next Monday, August 14, and to mark the occasion, I'm planning a big celebration here. From my perspective, Sesame Street was - and still is - an incredibly important part of our popular culture, especially for the generation of us who watched it as kids and are now watching it as parents.

If you're a mom or dad blogger, I want YOU to be in on this celebration. To mark the start of Sesame Street's 37th season, I'd like to get 37 posts (but wouldn't it be cool if we had a whole lot more?) from all of you, on your own blogs, that I will link from here on August 14, in a gigantic linky-love extravaganza. Don't worry - your post doesn't have to be about Sesame Street, but it should answer this question:

What television, music, movie or book from your childhood are you excited about sharing with your own children?

There are no right or wrong answers here - just your own thoughts.

Maybe you've already watched the entire Electric Company DVD box set with your pre-schooler. Or maybe you're looking forward to sharing your Nancy Drew collection with your daughter when she get a little older. Maybe you had forgotten all about how much you liked Schoolhouse Rock until you found yourself, completely out of the blue, singing "Conjunction Junction" to your son one day. Or maybe this is the first time you've thought about it, and you're off to put E.T. in your Netflix queue.

I want to hear about how you, as a parent, are introducing (or planning to introduce) your kids to some of your own childhood favorites. I want to hear how the television, music, movies, or books you grew up with are influencing your decisions about what you want your own kids to see and hear and read. I won't say more, because I don't want to put words in your mouth. Also, it doesn't matter to me if your child is 6 weeks old, 6 years old, or 16 years old.

Write your post, and email me a link by next Sunday night at thelovelymrsdavis - at - gmail - dot - com, and I will post the big extravaganza of links next Monday, August 14. And if you're so moved, please spread the word on your own blogs this week with a link to this post so we can get lots of new bloggers in on this! The bigger, the better!

August 04, 2006

Nursery School Funk

When I hear about a pre-school teacher who decides to try her (or his) hand at recording a children's album, my first reaction is usually oh, how nice. And by nice I mean boring, bland, and possibly awful. Honestly, I should know better by now. Some of the best new music I've come across in the last six months has its roots in a pre-school, nursery school, or early childhood arts education. And now, after getting acquainted with the music of Erin Flynn, I have finally let my pre-conceived notions go.

With a background in children's theatre and early childhood arts education, Erin also spent several years as a nursery school teacher, where she pulled together a band of funky nursery school parents to perform together and eventually record an album in 2004. (Why don't these things ever happen at our pre-school?) Dreamers of Dreams is one of my new favorites, and my children are enjoying it as much as I am. Erin's vocals are earthy and warm and natural, and the Co-Op Band's energy and chemistry is unmistakable.

Together, Erin and the Co-Op Band have a sound that ranges from folk to funk to punk, and they move about effortlessly within this realm. "Mary Mack," one of my favorite tracks, starts out simply and builds to a hard-rocking, punk-inspired finish. Other tracks have hints of influence from the Grateful Dead, Indigo Girls, the Roches, and the Ramones. The album includes several of Erin's originals - poetic, fearless, happy songs - interspersed with traditional favorites like "Twinkle" (a creative interpretation of "Twinkle, Twinkle Little Star") and "Looby Loo", and a rocking cover of Pete Seeger's "Sweet Little Baby". Check out the audio samples (and get your own copy) at CD Baby.

As a fan of the indie-folk-punk sound, female vocals, and fun covers, I have not been this excited about a new music discovery since Frances England's Fascinating Creatures. Erin Flynn is that good.

Thanks to Bill from Spare the Rock for the recommendation. If you're not already listening, he's been playing Erin on his show. And he has some big, exciting news this week over at his place - and by big I mean BIG-BIGGITY-BIG news, as in TMBG BIG. Also, don't forget, I'm there for a guest spot next Saturday, August 12. Don't miss it!

August 03, 2006

Longest Week Ever

I have not been at my best this week. My husband and my older son - that's half of my family -have been away since Sunday. What I expected to be a peaceful week spent focusing on my happy 16-month-old and working hard on some projects that have deadlines looming later this month has turned out to be a dizzying stretch of multi-tasking madness. From discovering that we have a bee problem on the north side of our house, to having our 16-month-old diagnosed with pinkeye and an ear infection on Tuesday, to getting a call from a prospective new client who wanted to meet with me on less than 24 hours notice, it has been a challenging week. Not to mention the heat. And the insomnia.

But the effects of their absence have also been felt here on the blog. I don't have my six-year-old son here to give me his opinions on new music. And I don't have my husband - my editor and sounding board - here to help me get the words out. When I'm writing, or preparing to write, I often fire random questions at him - Nick Lowe is British, right? What year was it when we saw the Rolling Stones in Minneapolis? How do you define punk rock?

It's not that the answers to any of these questions have ever appeared in my writing (although they are all actual questions I have asked him), but these are the things I need to work out in my head before I can make sense of the music I'm discussing here. So I have missed that.

The good news is, they are on their way back as we speak, and they will be here in time for dinner. And life, in so many ways, will be back to normal.

August 02, 2006

Reading Rewards

If you've been taking your child to the library this summer, chances are good that you've signed up for a summer reading program - where your child racks up points for each book he reads, then earns fabulous prizes at the end of the summer. Maybe a sheet of stickers or a fancy bookmark, or if your child is at the high end of the chart, possibly a smoothie maker or an iPod. Okay, maybe the prizes aren't that fabulous, but the more you read, the more fabulous the rewards.

And if you're in a summer reading program, chances are also good that you've seen the Paws, Claws, Scales and Tales theme that is being used by libraries in the Collaborative Summer Library Program (CSLP). We have the Paws, Claws, Scales and Tales theme on our reading chart, on our book bags, and on posters around our local library. In addition to grabbing my son's attention, this theme has served as a steady reminder to me over the last several weeks that I need to review the CD that was made to complement this summer reading program, Monty Harper's Paws, Claws, Scales and Tales.

Monty Harper has been a professional songwriter and performer for more than a decade. He performs for libraries, schools and festivals around the midwest, and works as a "songwriter for hire", churning out ditties for children about reading, nutrition, and other important topics. His Paws, Claws, Scales and Tales CD was inspired by the CSLP theme, and includes 10 songs about animals, pets and reading, plus two bonus songs and lots of extras to access on the computer. Limiting the focus to animals, pets and reading did not limit Harper's ability to write some fantastic songs. Frank Lloyd Wright once said, "Man built most nobly when limitations were at their greatest." He was right.

The title track is evidence of Harper's "songwriter for hire" chops. He packs an impressive number of animal-book references into this upbeat, jingly, 3-minute pop song. On other tracks, he drops more animal-book references, including Loveable Lyle (the Crocodile), Walter the Farting Dog, and Jeremy Thatcher, Dragon Hatcher. Harper has mastered the art of pop-song writing, and he has a youthful, sweet tenor voice to deliver the songs beautifully.

Where he missed the mark for me was with the arrangements. Harper recorded most of the songs by himself in his home studio (and if you've been paying attention, you know by now that I love that sort of thing). But instead of letting the songs stand on their own with vocals and guitar, he adds a fair amount of synthesized sounds, including drum tracks. This gives the album just a bit of a cheese factor. Two of the songs were recorded in-studio with other musicians, and they are both well done.

Overall, Paws, Claws, Scales and Tales is a solid and enjoyable piece of work, especially if your family is enthusiastic about reading and/or animals. You can read more about it, hear songs, and buy the CD at Harper's Website. Whether or not you've been charting your child's summer reading, this CD is one you might want to check out. It's a far better prize than the fancy bookmark the library is giving away.

August 01, 2006

On the Radio

On August 12, for the first time since 1985 when I called in to win tickets to a Hall & Oates concert, I will be on The Radio, as a guest on the Saturday morning kids' music show "Spare the Rock, Spoil the Child."

Even if you're not in the general vicinity of Northampton, Massachusetts, you can listen live online here (8 to 10 am, Eastern time), or get the podcast through the Spare the Rock website. You'll get to hear me introducing the super-fun songs on my playlist, and chatting it up with Bill and Ella, the show's fabulous father-daughter hosting team.

Don't worry, I'll remind you again before August 12.